Studio Wormbone
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'Electronified: Drum Kits & One-Shot Hits' provides groove compositions that have never been so electronified! These passionately crafted, synthetic percussive sounds were meticulously hand-selected as the best of the best that modern production can conceive. 

You'll find 10 Kits, 50 loops, and 350 hits presented here as a robust new goldmine of electronic drum elements.

What is the most efficient way to present a robust new goldmine of electronic drum elements? To group them into tighly compact Kit clusters, or to sort them into easily accessible folders by type? Both! That's how 'Electronified: Drum Kits & One-Shot Hits' is able to make your creative process move fluidly towards musical bliss. 

Whether you want to quickly load a newly matched Kit into your favourite sampler/software to design beats instantly, stack Construction Kit style loops, or invent your own personalised pallette, drawing sounds from a deep pool of rich options, you'll be bobbing your head to delicious highly technological grooves in no time.

Of the many thousands of passionately crafted, synthetic percussive sounds in the Studio Wormbone stockpile, the 350 in this collection were meticulously hand-selected. The end result is a boiled-down refinement of the best of the best synthesised drum elements that modern production can conceive.

But be ready, these are not common garden-variety drum machine tones or standard samples of acoustic drums. They are sophisticatedly imagined, original electronic drum sounds from a variety of boutique analogue hardware oscillators with unique acoustic instruments, treated with high-end outboard signal processors and/or esoteric software. All of the inclusions here have been seriously electronified.

These unique timbres would function beautifully as a foundation for a number of genres like Dubstep, House, Drum & Bass, Dance, Electro, Glitch, Industrial, and IDM, as well as Pop/Rock and film composition.


The first section is divided into ten prearranged electronic Drum Kits containing 15 sounds each. There are two kicks, two snares, two hi-hats, two cymbals, three toms, and four effects in each of these Kits. This ensures a wide range of versatility and totals 150 sounds.

There are also 50 Construction Kit loops using mainly the above mentioned Kit sounds. These are at 130BPM and include REX2 format versions in addition to WAV.

The one-shot hit section is categorised by type. Aggressive, ambient, cymbals, futuristic, effects, hi-hats, kicks, metallic, snares, and tom hits are found in these ten folders with 20 new sounds in each folder. That puts the one-shot hits at a total of 200 individual sounds. Combine that with the Kit section and the grand total comes to a whopping 350 individual World-Class assets! The full pack's content adds up to over 300 MB uncompressed.

The majority of these sounds are atonal so they’ll fit whatever key signature your music happens to be in, however when that's not the case the key signature has been included in the file name for easy integration into your projects.


The formats provided are WAV 24-Bit/44.1kHz resolution with additional REX2 versions for loops. All files are of course royalty-free. All of the sounds herein maintain the glossy polish of Studio Wormbone’s hyper-production tools and techniques. 

Every sample has been professionally recorded, edited, sliced, mastered, and formated with passionate care and is usable with every major audio software program (Pro Tools, Logic, Cubase, Sonar, FL Studio, Sony ACID, Garageband, Ableton Live, Reason). All sounds are compatible cross-platform with either Mac or PC. All of them are executed to make your next production exceptional, extreme, and vivid.

About The Creator:

Studio Wormbone is a compact and efficient state-of-the-art recording and production facility located in a quiet forest setting just outside the Emerald City of Seattle Washington, USA. Owned and managed by sound designer/producer Trevor Dutton, its resources specialise in all aspects of Electronic music and cutting-edge audio production.



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